We found – 10 articles for 1980s

Belgrado • Berlin

36 Concerts, Direct Concerts, Fave Rave, Swamp Booking, Schmutz & ASK HELMUT present:

Belgrado
+ Support: PLATTENBAU
+ Afterparty with DJs (tbc)

Tickets:
DirectTicket: bit.ly/2kKEOCr (print@home & Mobile Ticket)
KOKA36: bit.ly/2keUDRF
+ BIS AUFS MESSER Recordstore

Presale: 16€ (plus fees) • Box Office: 20€
Doors: 8PM • Start: 8.30PM

Belgrado
YouTube: http://y2u.be/IMtx8mizzck
Spotify: https://spoti.fi/2kIXMtb
Instagram: https://www.instagram.com/belgradoband/

PLATTENBAU
YouTube: http://y2u.be/k7Ld9gsnRIA
Spotify: https://spoti.fi/2lSUxzx
Instagram: https://www.instagram.com/plattenbau_berlin/

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Emerging from the DIY underground of Barcelona, Belgrado initially traded in a stylish mixture of post-punk tropes that could be traced back to the Europe of the early 1980s. Formed in 2010, Barcelona-based outfit Belgrado has existed at the innovative forefront of the global post-punk scene. Now in their ninth year, the quartet continues to play at home and abroad, carrying with them a reputation built on three full length albums and an impressive touring career that has taken them to all corners of the globe.

The tale is perhaps a well-precedented one: a Welshman, an American, and a Swede move to Berlin and start a post-punk band called PLATTENBAU in a studio housed in the massive former DDR Funkhaus. Hans Tobias, Lewis Lloyd und Brandon Walsh describe their very own sonic can of worms as post-ideological surrealism, the ten songs on their self-titled debut album oscillate between noise, pop and surf.

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Holygram (Sold Out)

Direct Concerts, Contra Promotion GmbH, Sonic Seducer Musikmagazin, HiMate, ASK HELMUT, bleistiftrocker.de & t-arts.com present:

HOLYGRAM
+ Support: Night Nail & TRAITRS

MODERN CULTS TOUR 2019

Tickets: Presale: 15€ (plus fees) | Doors: 18€

YouTube: http://y2u.be/YcVfSe0cygg
Spotify: https://spoti.fi/2PPjTNb

Instagram: https://www.instagram.com/holygram_band/
Homepage: http://www.holygram.band

Music for the lost: HOLYGRAM‘s music blends post-punk and new wave with Krautrock and shoegaze elements into a headstrong, multi-layered and thoroughly contemporary homage to the sound of the 1980s, including a resolute look to the future: driving, dark and full of catchy moments. The wide range of influences of the five band members, who got together in Cologne’s vibrating musical landscape in 2015, are unmistakable: New Order meets NEU!. Their unpretentious approach to their own icons proves that references to the past must always be future-oriented, too. Previously impossible-to-combine elements come together cleverly to become the soundtrack of a city that appears threatening in the twilight.

THE CONCERT IS SOLD OUT

 

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The 10 Best Street Art Books of 2018

Berlin-based specialized bookshop and gallery Urban Spree releases the list of the “10 Best Street Art Books of 2018“, a compilation of this year’s best titles. Although purely subjective, it reflects several trends playing in the book market:

 

– a renewed focus on the works of the pioneers of the 1960-70s through an academic approach;

– an increase in artist monographs which put more emphasis on their studio works;

– we have entered the era of “post-graffiti”

– but vandal graffiti and underground street art resist well the assimilation;

 

The list of the best publications of 2018 comes in no particular order.

 

1° John Divola: Vandalism

One of the most striking books of the year, “Vandalism” singles out itself by the sobriety of its approach.It consists of a black-and-white photographic series shot over 2 years in the mid-70s by the American photographer John Divola. Divola travelled across L.A. in search of vacant and dilapidated properties in which to shoot his project. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic series, painting abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, torn arrangements of cardboard, and photographing it.

Vandalism” is not per se a “street art book” but rather a photobook crossing over both genres. The best example of a crossover book would be Bruce Davidson’s “Subway“, a series of portraits shot on the gritty NYC subway in the 70s where graffiti abounds but is only a sub-context, not the main topic (unlike Martha Cooper and Henry Chalfant’s vernacular documentary photographic oeuvre whose main purpose is to specifically document graffiti).

 

Published by MACK Books, UK, in April 2018

Embossed paper-bound hardback

120 pages, 23.5 cm x 23.5 cm

Buy it here

 

2° Rafael Schacter: Street to Studio

“These are artists who are thus not slavishly reproducing their exterior practice within an interior realm but who are, rather, taking the essence of graffiti – its visual principles, its spatial structures, its technical methods, its entrenched ethics – and reinterpreting them with the studio domain,”writes Rafael Schacter in his introduction of his book Street to Studio.

We have entered the post-graffiti era. At a time where the graphic codes of street art are permeating most spheres of culture and entertainment, street artists have simultaneously enjoyed the favor of galleries and collectors and therefore have strongly developed their studio practice, when it was not in their ADN since the begining. What comes out is a blended space, where the artist works on both surfaces, the wall and the canvas, oscillating between different scales, the large and the intimate. Is this becoming a new paradigm in the art world?

The book introduces the concept of  ‘Intermural Art’ – art in-between the walls – to reflect that transition and has the merit of putting the emphasis on more conceptual players in the game (Brad Downey, Ian Strange, Boris Tellegen…) rather than usual suspects.

 

Published by Lund Humphries in July 2018

Edited by Rafael Schacter with a foreword by Carlo McCormick

Hardcover, 218 colour illustrations

224 Pages, 27 × 24,9 cm

Buy it here

 

3° David Wojnarowicz: History Keeps Me Awake At Night

Beginning in the late 1970s, the American artist David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, and activism. Largely self-taught, he came to prominence in New York in the 1980s, a period marked by creative energy, financial precariousness, and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, and neo-expressionist painting—made New York a laboratory for innovation. Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures, he varied his repertoire to better infiltrate the prevailing culture.

Wojnarowicz’s work documents and illuminates a desperate period of American history: that of the AIDS crisis and culture wars of the late 1980s and early 1990s. But his rightful place is also among the raging and haunting iconoclastic voices, from Walt Whitman to William S. Burroughs, who explore American myths, their perpetuation, their repercussions, and their violence. Wojnarowicz, who was thirty-seven when he died from AIDS-related complications, wrote: “To make the private into something public is an action that has terrific ramifications.”

 

Published by Yale University Press in July 2018

Hardcover, 384 pages

160 color + 100 b/w illustrations

Buy it here

 

4° BLU: Minima Muralia

Italian street artist BLU is one of the few street artists refusing to compromise with the art market, unwilling to translate his brillant art onto canvas, staying true to the origins of the movement – an underground, non-monetized, ephemeral, illegal & outdoor art practice for which the context and the meaning are the most important elements.

While Banksy excels in subverting the codes of the art world, BLU refuses them and strikes back, erasing the murals he painted to fight their monetization (Bologna, Berlin).

Minima Muralia” presents each mural painted by the artist during the last 15 years, more than 200 walls.

 

 

Published by Zooo Press in March 2018

288 full color pages

17×24 cm, lay flat swiss binding

Buy it here

 

5° One Week With 1UP

Which brings us to the last frontier within the realm of the urban arts: graffiti. “One Week with 1UP” is the second published book by and about the legendary Berlin-based vandal graffiti crew 1UP.  This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps in a first-hand account.

1UP is the ultimate modern graffiti crew in the 21st century: large, everywhere, powerful, fearless, defiant, invisible.

 

Self-Published, Berlin, 2018

A project by Martha Cooper, Ninja K. and 1UP

English/German, 144 pages, 31 x 22 cm

Buy it here

 

6° Klone: “Few Moments Ago I Was Here”

Klone is an Ukrianian-born, Tel-Aviv based street artist, a pioneer of graffiti in Israel and a visual artist who was the first to exhibit at Urban Spree and one of the reasons why we did the space in the first place. I stumbled upon his fist published book – “Don’t Sleep”– in 2011 and was so moved by its personal content, poetry, freedom, that I wanted to meet the man and work with him.

8 years later comes Few Moments Ago I Was Here“,  looking over those past 8 years of exhibitions, mural projects, installation, and animations.

“Few Moments Ago I Was Here” is an artist book. By this, we mean a book which is mainly thought, designed, created and published by the artist himself. We always try to get as many self-published and artist books in the bookshop because they are precious and unconventional. Of course they are difficult to source, as we can get our hands only on a small stock, they sell out fast and we need to replace them but we can’t get enough of them.

 

Self-Published, Tel Aviv, November 2018 (Hell No Publication)

Limited edition of 500 copies.

Softcover. Full colour offset print on Munken lynx paper.

Buy it here

 

7° Ian Strange: Islands 2015-2017

Continuing on the self-publication mood and echoing John Divola, the Australian artist Ian Strange  publishes “Islands 2015-2017”, a photographic monograph documenting his interventions on American suburban homes, in the wake of Gordon Matta-Clark or David Wojnarowicz.

Through photography, sculpture, research, found artefacts and drawings, “Island” reflects on the home through the metaphor of the desert island, a place of personal sovereignty but simultaneously entrapment. “Island” interplays the monumental with the intimate and intangible. Exploring the icon of the home as a deeply vulnerable object and personal vessel for memory, identity and aspiration.

 

Self-published

Limited edition of 400 hand numbered and signed books with a concertina print

25 x 34 cm

Buy it here

 

8° Jan Kalab: Point of Space

“Point of Space” is the first published monograph of the Czech graffiti and visual artist Jan Kaláb, covering 25 years of his urban and studio creations, through multiple art forms (paintings, 3D graffiti, bombings, sculptures, installations).

Jan Kaláb started as a pure graffiti writer and achieved fame under the monikers “CAKES” and “POINT”. From there, his practice evolved to murals and studio works, sculptures and canvases and this evolution, patiently documented, is fascinating to follow.

The book was edited by the artist himself with texts by the czech art critic Petr Volf.

 

 

Published by Trafacka/Trafo Gallery Prague, in November 2018

320 pages

Hard Cover, 25 cm x 32,5 cm

Texts by Petr Volf and book design by Jan Novák

Buy it here

 

9° Swet: Book of the Year

 

One of the last published books of 2018, “Book of the Year” is a comprehensive monograph encompassing 1 year of walls by the danish graffiti writer SWET.

A graffiti “tour de force”, all the walls depicted in the book were painted in 2017 and amount to over 300 wall pieces, almost one per day, all of them documented in the book, including some sketches.

The book is bound with a piece of a canvas specially painted by SWET for this project and each book has a different binding, which also highlights the precise work of the dutch artisan publishing house Chemistry Publishing.

 

 

Published in November 2018 by Chemistry Publishing

First Edition of 500

240 pages printed on Munken Crystal Rough

Cover embossed with green linen, 24 x 28,5 cm

Buy it here

 

10° Russian Urban Art: History and Conflict

Street art books are usually more about photographs and visual documentation than text. Few history books actually exist on the graffiti and street art movements, let alone about a peripheral movement such as street art in Russia.

It is therefore the merit of the Russian artist and curator Igor Ponosov to examine the power of street art in Russia by exploring its historical background, extending from the avant-garde movements of the early 20th century, to the non-conformists and the actionists of the 21st century.

 

 

Self-Published, Moscow, June 2018

Edition of 500

Hardcover, 20 x 15 cm, 96 pages, English

Buy it here

 



Urban Spree participates to Berlin’s first “Urban Art Week”

From 05 to 12 September 2018, Urban Spree will be part of the first URBAN ART WEEK, a new format for the Urban Art movement, which will be launched throughout Berlin. The Opening Night will happen at Urban Spree on the 05/09.

The Urban Art Week presents a comprehensive program and insights into the participating locations and projects under one roof. The format serves both to make Urban Art visible and to mediate, as well as to improve networking between local actors.

The URBAN ART WEEK provides insights into the locations and work of the participants, who present their own program for the URBAN ART WEEK. This gives visitors the opportunity to get to know Urban Art, Street art and Graffiti Writing within one week. The art program includes numerous exhibitions in galleries, project rooms, art spaces and institutions as well as performances, live painting and artistically designed walls.

A supporting program accompanies the URBAN ART WEEK: workshops by experts offer professional training and useful information for the daily work of artists and cultural workers. The two-day film program shows experimental films, portraits and documentaries about the French and German scene. Daily Street Art tours by local experts give visitors an insight into Urban Art in Berlin. Artists offer workshops for all ages to try out different techniques.

In Berlin, Urban Art has become an integral part of the cityscape, and large murals and surprising interventions in urban space can be found regularly. The city and its marketing is also adorned with the colourful paintings of its Urban Art artists, as is the local creative industry. But is there a dialogue between the scene and the city? Where is the line drawn between professional art and exploitation through increasingly fast-moving advertising purposes? Do we still have to ask the question whether Urban Art is art at all? The first URBAN ART WEEK pursues these thought-provoking impulses. In addition to discussions with representatives from city politics and local art institutions, the scene meets at workshops and symposia to discuss the concept of Urban Art and its own self- image. The week should leave something behind for the Berlin scene, it should convey a lasting value to the fast-moving Urban Art and create a basis for future communication.

Urban Art in Berlin has been around for decades and the media attention for it has increased. Berlin’s claim as an Urban Art Mecca is not only demonstrated by the last major exhibition projects with record attendance. The many small and independent art venues, project spaces and freelance artists who have been active in Berlin since the 1980s, have created the breeding ground for the subversive Berlin mix, that now makes the capital so attractive. URBAN ART WEEK is committed to their recognition and networking and ennobles the local scene with a gold medal – because Urban Art has actually earned this here for a long time. The program booklet with a city map, a website and a broad publicity campaign in German and English will accompany the week from 5 to 12 September 2018.

Further information under www.urbanartweek.de



“Berlin Calling” Book Launch Party and Discussion

The American, Berlin-based author Paul Hockenos will present his latest book Berlin Calling: A Story of Anarchy, Music, the Wall and the Birth of the New Berlin (The New Press) at Urban Spree Galerie on June 17, 2017.

An exhilarating journey through the subcultures, occupied squats, and late-night scenes in the anarchic first few years of Berlin after the fall of the wall Berlin Calling is a gripping account of the 1989 “peaceful revolution” in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It’s the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day.

In a story stocked with fascinating characters from Berlin’s highly politicized undergrounds—including playwright Heiner Müller, cult figure Blixa Bargeld of the industrial band Einstürzende Neubauten, the internationally known French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto (founder of Love Parade), and David Bowie during his Ziggy Stardust incarnation—Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today.

Just as Mike Davis captured Los Angeles in his City of Quartz, Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.

Paul Hockenos is an American journalist and author who writes for The Nation, the Chronicle of Higher Education, Foreign Policy, the New York Times, and many other media outlets. He has held prize fellowships with the American Academy in Berlin, the European Journalism College, the German Marshall Fund of the United States, and the Carnegie Endowment for International Peace. He is the author of three books, including Joschka Fischer and the Making of the Berlin Republic, and lives in Berlin.

“Can unruly artists change the world? Or do they just provide the soundtrack to history? The Berlin of the 1980s is famous for two things: a wild counterculture and the surprising end of the Cold War. Paul Hockenos, who knows the city inside out, brings them together in a fast-paced, sometimes astonishing story of underground clubs, squatters, and dissidents.” Brian Ladd, author of The Ghosts of Berlin.



“Berlin Calling” Book Launch Party and Discussion

The American, Berlin-based author Paul Hockenos will present his latest book Berlin Calling: A Story of Anarchy, Music, the Wall and the Birth of the New Berlin (The New Press) at Urban Spree Galerie on June 17, 2017.

An exhilarating journey through the subcultures, occupied squats, and late-night scenes in the anarchic first few years of Berlin after the fall of the wall Berlin Calling is a gripping account of the 1989 “peaceful revolution” in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It’s the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day.

In a story stocked with fascinating characters from Berlin’s highly politicized undergrounds—including playwright Heiner Müller, cult figure Blixa Bargeld of the industrial band Einstürzende Neubauten, the internationally known French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto (founder of Love Parade), and David Bowie during his Ziggy Stardust incarnation—Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today.

Just as Mike Davis captured Los Angeles in his City of Quartz, Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.

Paul Hockenos is an American journalist and author who writes for The Nation, the Chronicle of Higher Education, Foreign Policy, the New York Times, and many other media outlets. He has held prize fellowships with the American Academy in Berlin, the European Journalism College, the German Marshall Fund of the United States, and the Carnegie Endowment for International Peace. He is the author of three books, including Joschka Fischer and the Making of the Berlin Republic, and lives in Berlin.

“Can unruly artists change the world? Or do they just provide the soundtrack to history? The Berlin of the 1980s is famous for two things: a wild counterculture and the surprising end of the Cold War. Paul Hockenos, who knows the city inside out, brings them together in a fast-paced, sometimes astonishing story of underground clubs, squatters, and dissidents.” Brian Ladd, author of The Ghosts of Berlin

 

18:00 Opening of Berlin photographer Stefan Schilling exhibition on Mitte 1990

18:30 Open discussion with Paul Hockenos led by Felix Denk of Dummy magazine

19:00 – Planet’s former DJ Disko Daniel Bier on the console