We found – 7 articles for Moses

Orsten Groom’s “CHROME DINETTE” series to be exhibited at Urban Spree

For their last exhibition of the year, Urban Spree Galerie invites the French painter Orsten Groom to exhibit in Berlin his new incendiary series “CHROME DINETTE”. The solo show, his first exhibition in Germany, will open on Friday, October 23rd, 2020.

While being a radically independent artist, Orsten Groom has established himself in a few years as a key player in the young French painting scene, oscillating between alternative circles and museum institutions.

His first retrospective was presented this year at the ACMCM contemporary art centre in Perpignan (France) – at only 37 years old.

The Berlin exhibition brings together over 30 works, presented in two sections:

– the Large Ensemble of 17 paintings “CHROME DINETTE” (accompanied by its proverbial Divan), a danse macabre summoning Sigmund Freud, Moses and sick poodles – under the aegis of Frank Zappa;

– A retrospective selection of Orsten Groom’s emblematic large formats, a genuine «subconscious» journey with Parietal Sarcophagus allures. 

Orsten Groom’s painting is presented as “Post-Historical Cave Art”.

The famous German artist Jonathan Meese said about him: “Orsten Groom comes from the caves and the Middle Ages and keeps history alive in today’s art. He comes from the future“.

Apocalyptic Frescoes, saturated with Creatures drawn from the Memory Styx by Demented Talmudic Investigations, Carnivalesque Recapitulation of History from the Flow of Origins and Art History – His Painting roars on Large Canvases populated with Figures entangled by Mythological and Grotesque Archetypes, Danses Macabres gleaned by a Language Detective, an Amnesiac Epileptic Archaeologist. Its Material is Dense, Volcanic, inhabited like the ancient Livers of a Divinatory Ritual.

«This turmoil is similar to the one I feel in the Grottos of Lascaux or Chauvet, in front of El Greco or Picasso paintings, or, in the 20th century, facing the essential work of Gérard Gasiorowski», writes Olivier Kaeppelin, former Director of the Fondation Maeght in Saint-Paul-de-Vence and curator of his recent Parisian Exhibition POMPEII MASTURBATOR.

Orsten Groom experienced in 2002 an aneurysm that left him amnesic and epileptic. He graduated from the École Nationale Supérieure des Beaux-Arts de Paris in 2009 and Le Fresnoy in 2011. He is the recipient of several awards: Prix l’art est vivant (2019), Prix de Peinture de l’Académie des Beaux-Arts (2016) and Prix de Peinture Antoine Marin (2015). The reputed paint manufacturer Marin manufactures a colour to his name, the “Pink Groom”.

He is also a musician, author of collections of English cubist poems, filmmaker (2011 Jury Prize for his film BOBOK at the festival Côté-Court) and since 2012 author of the video cycle Les Ballets Russes.

He has collaborated with curators and authors Olivier Kaeppelin and Paul Ardenne, the filmmaker Guy Maddin, the translator and poet André Markowicz, as well as the writer Boris Wolowiec.

ORSTEN GROOM: “MÂÂT” (NOCTURNE) – 210 X 140 CM – OIL ON CANVAS – GXXI

The Opening of the exhibition will be accompanied by a concert by the POODLE MHUND ARKESTRA, formed for the occasion by Orsten Groom, the Magnificent Jimmy Trash & Big Daddy Mugglestone.

Ich bin der Dreck unter deinen Walzen / Ich bin dein geheimer Schmutz Und verlorenes Metallgeld / Ich bin deine Ritze und Schlitze / Ich bin der Autor aller Felgen Und Damast Paspeln / Ich bin Eier aller Arten / Ich bin alle Tage und Nächte / Ich bin der Chrome Dinette / Und du bist mein Sofa. – Frank Zappa

CHROME DINETTE is Burning Divan, Hypnotic Sphinx and Sick Tongue of the Unpronounceable God.

ORSTEN GROOM: CHROME DINETTE

“Divan, Divan, Weisst du, Wer Ich Bin?”

23.10.2020 – 23.01.2021

Vernissage: Friday, 23.10.2020 from 18:30 in presence of the artist

Concert of the POODLE MHUND ARKESTRA (Orsten Groom, The Magnificent Jimmy Trash & Big Daddy Mugglestone)

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Contact, info & catalogue: Pascal Feucher (pascal@urbanspree.com)

Opening Hours: Wednesday-Saturday 14:00-19:00

Opens Sunday 24.10.2020 (14:00-19:00)

INSTAGRAM https://www.instagram.com/orsten_groom/

FB https://www.facebook.com/orstengroomglues/

WIKIPEDIA https://fr.wikipedia.org/wiki/Orsten_Groom



Orsten Groom: Chrome Dinette

From October 23rd to January 23rd 2021, Urban Spree Galerie is pleased to offer the painter Orsten Groom his first solo exhibition in Germany, “CHROME DINETTE”.

 

As a radically independent and self-managed artist, Orsten Groom has established himself in a few years as a key player in the young French painting scene, between alternative circles and museum institutions.

His first retrospective was presented this year at the ACMCM contemporary art centre in Perpignan (France) – at only 37 years old.

The Berlin exhibition brings together over thirty works, presented in two sections:

– the Large Ensemble of 17 paintings “CHROME DINETTE” (accompanied by its proverbial Divan), a crazed round about the links binding Sigmund Freud and Moses through Ancient Egypt & Sick Poodles – all under the aegis of Frank Zappa;

– A vast Recapitulative Selection of Orsten Groom’s emblematic large formats, a genuine «subconscious» journey with Parietal Sarcophagus allures. 

 

ORSTEN GROOM (CHROME DINETTE): “YAHVOLCANISMUS” – (sketch)

Orsten Groom’s painting is presented as “Post-Historical Cave Art”.

The famous German artist Jonathan Meese said about him: “Orsten Groom comes from the caves and the Middle Ages and keeps history alive in today’s art. He comes from the future“.

Apocalyptic Frescoes, saturated with Creatures drawn from the Memory Styx by Demented Talmudic Investigations, Carnivalesque Recapitulation of History from the Flow of Origins and Art History – His Painting roars on Large Canvases populated with Figures entangled by Mythological and Grotesque Archetypes, Dances Macabres gleaned by a Language Detective, an Amnesiac Epileptic Archaeologist. Its Material is Dense, Volcanic, inhabited like the ancient Livers of a Divinatory Ritual.

«This turmoil is similar to the one I feel in the Grottos of Lascaux or Chauvet, in front of El Greco or Picasso paintings, or, in the 20th century, facing the essential work of Gérard Gasiorowski», wrote Olivier Kaeppelin, Curator of his recent Parisian Exhibition POMPEII MASTURBATOR – For which the Archaeological Park of Pompeii itself has send a complaint.

Orsten Groom experienced in 2002 an aneurysm that left him amnesic and epileptic. He graduated from the École Nationale Supérieure des Beaux-Arts de Paris in 2009 and Le Fresnoy in 2011. He is the recipient of several awards: Prix l’art est vivant (2019), Prix de Peinture de l’Académie des Beaux-Arts (2016) and Prix de Peinture Antoine Marin (2015). The reputed paint manufacturer Marin manufactures a colour to his name, the Pink Groom.

He is also a musician, author of collections of English cubist poems, filmmaker (Jury Prize for his film BOBOK at the 2011 Côté-Court festival) and since 2012 author of the video cycle Les Ballets Russes.

He has collaborated with curators and authors Olivier Kaeppelin and Paul Ardenne, the filmmaker Guy Maddin, the translator and poet André Markowicz, as well as the writer Boris Wolowiec.

ORSTEN GROOM: “MÂÂT” (Nocturne) – 210 x 140 cm – Oil on Canvas – GXXI

Implanted in the heart of Berlin, the Urban Spree Galerie has been for more than 8 years an unavoidable reference in urban arts, understood as a manifestation of a post-parietal art, which inscribes graffiti at the heart of its practice, on a large scale.

The opening will be accompanied by a concert by the POODLE MHUND ARKESTRA, formed for the occasion by Orsten Groom, the Magnificent Jimmy Trash & Big Daddy Mugglestone.

Ich bin der Dreck unter deinen Walzen / Ich bin dein geheimer Schmutz Und verlorenes Metallgeld / Ich bin deine Ritze und Schlitze / Ich bin der Autor aller Felgen Und Damast Paspeln / Ich bin Eier aller Arten / Ich bin alle Tage und Nächte / Ich bin der Chrome Dinette / Und du bist mein Sofa. – Frank Zappa

CHROME DINETTE is Burning Divan, Hypnotic Sphinx and Sick Tongue of the Unpronounceable God.

 

ORSTEN GROOM: CHROME DINETTE

“Divan, Divan, Weisst du, Wer Ich Bin?”

23.10.2020 – 23/01.2021

Vernissage: Friday, 23.10.2020 from 18:30 in presence of the artist

Concert of the POODLE MHUND ARKESTRA (Orsten Groom, The Magnificent Jimmy Trash & Big Daddy Mugglestone)

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Contact, info & catalogue: Pascal Feucher (pascal@urbanspree.com)

Opening Hours: Wednesday-Saturday 14:00-19:00

Opens Sunday 24.10.2020 (14:00-19:00)

 

INSTAGRAM https://www.instagram.com/orsten_groom/

FB https://www.facebook.com/orstengroomglues/

WIKIPEDIA https://fr.wikipedia.org/wiki/Orsten_Groom

 

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Call for Rain pres Australian Bushfire Fundraiser

Call For Rain presents the Australian Bushfire Fundraiser.

Tornado Wallace (Running Back, Animals Dancing).
Andy Hart
Damiano von Erckertt b2b Beluga (Pond Life)
Alison Swing (Dig Deeper LA, Renate).
Zeitgeist Freedom Energy Exchange (live).
Malika.
Moses Mawila (LOWMONEYMUSICLOVE).
Mengeh.
Royston Bassmann.

Call For Rain invites Berlin to gather and dance for the relief of those affected by the bushfires in Australia.
We are currently witnessing the most horrific & catastrophic bushfires to plague the planet.
Thousands of homes have been destroyed or damaged, over 10 million hectares of land have been ravaged, and over 1 billion animals have been estimated to have been killed as a result. Thousands are displaced. Our death toll continues to rise.
This isn’t a national crisis. It’s a global crisis.

For centuries, cultures have practiced rituals in order to Call For Rain, and now we invite you to join us on this evening to come together and dance, and to take part in a collective effort to raise funds for those at the forefront of fighting the fires that continue to burn Australia.

We would like to mention our sister-event that takes place in Tel Aviv, on 01.02.2020 at Sputnik bar. Stay tuned for more details regarding this. We stand for the same cause.

100% of proceeds from this event will be distributed to the following charities;
CFA: Country Fire Association Victoria. (A volunteer & community based fire & emergency services organisation).
Wildlife Victoria. (A wildlife rescue and sheltering association committed to rescuing, rehabilitating & providing equipment for the rescue of wildlife during the bushfires).

We would like to acknowledge the traditional owners and ongoing custodians of the land; past, present and future. We recognise their connection to land, water & culture.
We would like to pay our respects to their Elders past, present, & emerging, as well as all those affected by the catastrophic bushfires.

Artwork by Yago Dzugala

FB EVENT



New York Perspectives

Urban Spree Galerie presents New York Perspectives, a duo show featuring Chris “Daze” Ellis and Joe Conzo, curated by Mode2. The vernissage will be on Friday, November 22nd, at 18:30, in presence of the two artists.

    Through the work of two New York City-born artists, a painter and a photographer, this exhibition is an attempt to show aspects of New York City life, through the eyes and the work of two very different individuals; though both come from a part of its counterculture.

    The drawings and paintings of the artist Chris “Daze” Ellis, and those many moments and people captured by the photography of Joe Conzo show us how the youth that were more in osmosis with the steel, the concrete, the glass, the streets and the city’s subway system, could develop new forms of visual dialogue that could form a bridge between their own social and cultural background, and a movement that would infiltrate the artworld and become a global phenonmenon.

   Coming from different neighbourhoods and cultural backgrounds, both have lived long enough to have witnessed first hand the huge transformations that the city has gone through over these last decades, while their “work”, which was actually their hobby, passion and life pretty much, has documented seminal eras during that time.

  These tumultuous years of cultural flux; of blossoming, blooming, destruction and rebirth, are often overlooked by today’s focus on the “now” of street art, and the way through which this eclipses the very alchemy that gave birth to the way in which artists express themselves in the street today, or the way in which they document city life.

    It is doubtful that much of what is happening today in visual art, music, dance and written or spoken word ever would have happened, if generations of youth in New York City had not lived what they did many decades ago; and we can count ourselves lucky that a few rare individuals happened to be there and have the instinct to document it.

  Here then, are views of New York from two different perspectives, they themselves being a complex accumulation of all of life’s experiences, and how they shape each individual’s understanding of the world around them; and the ways by which they choose to express and share this with us.

Urban Spree Prints will release two 18″x 24″ silk screen prints by Daze on the opening night and online.

The gallery and the curator heartily thank Henry Chalfant for letting us show his documentary movie “From Mambo to Hip Hop: A South Bronx Tale.”

Poster Artwork by Tyler Askew.

 

“New York Perspectives”

Christopher “Daze” Ellis / Joe Conzo

Curated by Mode2

22.11 – 21.12.2019

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening: Friday 22.11.2019 at 18:30

Exhibition: Tu-Sa – 12:00 – 18:30

Info & Catalogue: contact@urbanspree.com

 

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BIOGRAPHIES: 

 

Chris “Daze” Ellis

Growing up in Crown Heights, Brooklyn, Chris Daze Ellis (b. 1962) was aware from early on of the names and the odd characters that would be dancing along the trains that wove their way through the city. When he started out at the High School of Art & Design in 1976, he found that there was a whole community of very diverse yet like-minded individuals there, also involved with this scene; some of whom would go on to make a name for themselves in the art world.

Being a fan of drawing and comic books already, Daze camouflaged his nighttime activities under his parents’ gaze, exploring and expanding his visual vocabulary, combining the traditional with the dynamism of a new and challenging environment, with stimulus of its own.

Having mastered the medium and the environment, Daze would go on to shape his own personal vision of the world, looking as much inwards as outwards, in the relationship between the trains and walls, and what he could further explore in the studio. The strength of his successful life as an artist in his own right would develop from then on.

From his participation in his first group show, Beyond Words, at the Mudd Club in 1981, before having his own solo show at Fashion Moda (the historical South Bronx art space that bridged the established art world with the raw talent and energy coming out of New York City), Daze embraced the wide horizon that opened up before him.

From then on, Daze began to show in many different cities around the world, whether it be galleries and museum, in solo shows as well as group formats. He has participated in many public or educational art projects around the world, working with students and communities from South Korea to Brazil via Haiti, while often visiting Europe as well, and contributing to New York mural initiatives like the Leap Arts Program or Thrive Collective.

From his appearances in the film Style Wars, to being an art consultant on the Netflix series The Get Down in 2017, to participating in public painting projects from the Star Ferry Terminal in Hong Kong in 1993, painting an entire Hannover train station with fellow artists Lee Quinones and John Crash Matos, or being commissioned for murals by private clients like the law firm, Cleary, Gottlieb, Steen & Hamilton in Washington D.C. 2018; Daze has constantly had his hands on a whole range of different projects.

Daze’s paintings have found themselves in many private collections including Eric Clapton, Natalie Imbruglia, and Madonna. His work can also be found in the permanent collections of The Whitney Museum, NY, Museum of Modern art, NY, The Museum of the city of New York, The Ludwig Museum, Aachen, Yale University art Gallery, New Haven, Addison Museum of American Art at the Phillips Academy, Andover.

Chris Daze Ellis continues to live and work in New York City.

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Joe Conzo

Joe Conzo was born in the Bronx during an era of great upheaval, when the construction of the Cross Bronx Expressway was nearing its end, having destroyed the communities that lay in its path, and condemning those parts of the borough around it to social and economic decline. The apocalyptic landscapes of urban devastation, and the high criminality associated to it are emblematic of that era.

President Truman’s Urban Renewal announced in 1949, ruthlessly applied by Robert Moses, targetted the more modest and ethnically diverse neighbourhoods of New York City whose resistance to forced removal would fall on deaf ears, as private developers grabbed the prime lots. The Bronx represented both the laboratory and the collateral damage for these extreme experiments of urban renewal.

And yet, out of what looked like an urban war zone, the city’s youth began to pick up the pieces, and, out of the desolation around them, began to build their own road out of it. Realising that the state was not going to do anything positive for them, their survival instincts eventually kicked in; and out of the gang culture, the drugs, and the sheer nihilism that had reigned for a while over much of the borough, new and greener shoots were beginning to break through.

Joe Conzo’s cultural capital, and that of his peers, was probably key to his survival and his blossoming during those harsh years; grandson of Dr. Evelina López Antonetty, a political activist who played a huge role in developing educational programmes for Puerto Rican children, and son of Joe Conzo Snr., who was in the thick of the huge Latin music scene of that bridged those decades; hanging with all the main players of that era, and having been the biographer of Tito Puente.

While studying at the Agnes Russell School on the campus of Columbia University, he discovered photography, the medium that would enable him to document what went on around him; from the world of latin culture through his father’s connections, to the collision of art forms that would later be called Hip Hop; a word that eclipses the sum of its parts.

Having lived many ups and downs in the eighties, to a rebirth of sorts, Joe Conzo went on to become a qualified medical nurse, then worked for the New York City Fire Department, being among the first responders on 9/11. At some point along the way, he was reunited with the camera, and began shooting again…

Whether as the photographer of rap crew The Cold Crush Brothers, a hugely influential group of MCs from the early days, or just a boy from the Bronx who had a camera and curious eyes, Joe Conzo’s photos provided reference material to Henry Chalfant ‘s documentary “From Mambo to Hip Hop: A South Bronx Tale.”, and were documented in a book called “Born In The Bronx: A Visual Record of the Early Days of Hip Hop”.

His negatives have been digitalised and archived at Cornell University, providing a unique and indispensable resource for those wishing to research the those eras.



Pranke: Monkey Business – Album Release Show

Jungle World präsentiert:

Pranke
“Monkey Business” Release Show
Gäste: Angriff der 3D Drucker

Stellt euch vor, die Band Battles würde mit den Dirty Projectors, Paal Nilssen-Love und den Chorknaben aus Stockhausens »Gesang der Jünglinge« gemeinsame Sache machen.
Haha, ja, genau. Habt ihr? Super. Dann kann ja jetzt direkt aus Berlin die Pointe kommen.

Sie heißt Pranke und setzt sich aus Daníel Friðrik Bödvarsson (Gitarre und Gesang) und Max Andrzejewski (Schlagzeug, Synthesizer und Gesang) zusammen.
Der isländische Gitarrist und der deutsche Schlagzeuger treffen sich irgendwo zwischen frickeligem Math Rock, wunderbar windschiefem Avant-Pop und Jazz-Geschredder auf der Bühne und können ihre kaskadenhaften Explosionen von dort sogar noch ins Studio herüber retten, wie das von Moses Schneider produzierte Album „Monkey Business“ beweist.

Das Album “Monkey Business” erscheint am 23. November 2018 auf Staatsakt.

6.12.2018 @ Urban Spree
Einlass: 20:00 Uhr
Beginn: 21:00 Uhr

Vvk:
KoKa
https://tinyurl.com/y9xsxz22
Ticketbud
https://tinyurl.com/y83qjo92



DEVISE MAGAZINE LAUNCH PARTY AT URBAN SPREE

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Come celebrate the launch of music magazine DEVISE with an evening of bands and DJ’s at Urban Spree in Friedrichshain. Artists include Kyson (Friends of Friends Records), Black City Lights (Cascine), Dualesque (Killerrr Rec),Perfect SwimmerNaadynNightmare Air, andThe Unkindness of Ravens. DJ’s include Moses,Yasmin Gate, & The Ukranian Sisters. In cooperation with Killerrr.

LIVE:

Perfect Swimmer (Berlin)

 

Naadyn (Berlin)

 

NIGHTMARE AIR (Los Angeles)

 

Black City Lights (New Zealand)

 

The Unkindness Of Ravens (Berlin)

 

Kyson (Berlin)

 

Dualesque (Berlin)

 

DJ’s:
Moses

Yasmin Gate

Ukranian Sisters

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