We found – 8 articles for Endless

Sabbat Events

-Franco dj set (Vltra Delta Drive, Pildoras Tapes) Bogota Colombia

Vltra Delta Drive is an electronic duo from Bogotá, Colombia between Franco & Gaël. The idea from the beginning is to bring an innovate sound to the local music scene putting together their influences from Techno to Electro passing through Acid, Disco, EBM, House, Minimal Synth, New Wave, New Beat, Italo Disco; their sounds emerge from the electronic backgrounds of dance culture between the past and the future.

Vltra Delta Drive debut on vinyl was under the various artists release on English label: brokntoys and Czech label Endless Illusion; ‘El Complot’ the first track of the release is described as body-propelled and tense track; this track has been played by artists such as, Mick Wills (Nation), Marsman (Pinkman Records), Imogen (NTS.radio), Timothy J. Fairplay (Crimes of the Future), Slick Chick, Julia Mira & Merel and many more…

https://www.youtube.com/watch?v=Zj9nW3Ne96o

Link Bandcamp: https://brokntoys.bandcamp.com/album/human-abstracts-volume-one
First EP out on Lost Causes Records: https://lostcausesrecords.bandcamp.com/album/las-conqvistas-lcr005
Track included in compilation: https://interplanetaryltd.bandcamp.com/track/vltra-delta-drive-1948

Somnia Vera aka Nekrobot (Drone, noise Live )
1st Live appereance at Sabbat Berlin
New Live project of one of the Sabbat Head and Resident

—————————————————————————-
Angelic Sintesis

—————————————————————————–
Tot Onyx (Tommy Tokyo group A) –

https://www.youtube.com/watch?v=c05tTzP3OpA
————————————————————————-
PERFORMANCE:
—————————-
Special return PERFORMANCE 2 SABBAT BY ReveRso
(https://vimeo.com/250147415?

Out of the darkness emerged ReveRso. The creation myth of a megalomaniac marred on its own venom: a fetishistic cannibal-of-self bound in love, loss, seduction, salvation, madness, prophecy and pain. Currently based in Berlin, ReveRso has massacred crowds on stages (and in alleyways) from Europe to America. A junky, he must devour the public to feel the light, his rite of purification through the shadows. To Repent to the name of no other but He ☦ ReveRso.

FB EVENT



Automatic – Urban Spree, Berlin

 

Like all the best bands, Automatic found each other in an organic way. Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals) met in the DIY band scene of Los Angeles and started jamming together in 2017. Over the last year, they have become an important part of the L.A. Club circuit, sharing the stage with bands like Surfbort, Wand and Flatworms. On 27 September 2019 their debut album « Signal » will be released on Stones Throw / PIAS.

Lola was born into a punk household (her father is Kevin Haskins, the drummer of Bauhaus) and joined her first band, the art-rock outfit Blackblack, when she was just 13 years old. Halle and Izzy met in local bands in the northeast of L.A.; Izzy was a guitarist and singer, and Halle liked to plug her fretless bass into a guitar amp. Unimpressed by the masculine energy of the local scene and the rock music on the radio – « pumped out like plastic bottles into the ocean » – Izzy changed guitars into synths and joined Halle and Lola in 2017. They called themselves « Automatic » after a song by the Go-Go’s – the only (!) purely female band that ever wrote and recorded an entire album that reached number 1 in the charts in the USA.

Automatics guitarless setup seemed to leave a void in the sound at first, but their interplay gave them strength and they took their place in the scene. Empowerment in the best sense. They refined their sound and, informed by Neu! and Suicide, combined their preference for dub reggae, motoric rhythms and gnarled synthesizers with their cinematic pop understanding. In collaboration with sound engineer and producer Joo Joooo Ashworth (FROTH), they started working on their GarageBand demos and their debut album.

Their first single « Calling It » captures the feeling of drifting in an endless space, tearing everything apart and starting anew. Elsewhere on « Signal », songs speak directly from the band members’ experiences: « Humanoid » and « Too Much Money » are reflections on boredom, misfortune and the disappointing falsehood of social media personae, while the title track « Signal » is about « being trapped in the drudgery of a shitty life/job and realizing that no one but yourself will save you from it. » « Signal » is the title track of the band’s album. A shocking near-death accident in her apartment inspired Izzy to write « Electrocution » – an experience alluded to in the cover packshot, which shows a switch on a red background.

Izzy studied film at college and Halle used to work at the legendary video store « Kims Video » in New York, so it’s no wonder that the band also mentions film as an important influence on their music. David Lynch and Dario Argentos in particular have left their mark on the ambiguous lyrics and eerie atmospheres.

The red thread that runs through « Signals » is the feeling of fear and alienation, possibly one of the most formative experiences of the early 21st century: the feeling of being on the edge of the world. Or as Automatic put it: « The world is so fucked. I don’t know how a musician could say: ‘That’s all great.' »

FB EVENT



Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard « band » tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called « Young », a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled « Wrapped Coast. » The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled « Severe » and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

FB EVENT



Lars Wunderlich: What Are We Looking For?

Urban Spree Galerie presents « What Are We Looking For?« , a solo show of new works by Berlin-based visual artist Lars Wunderlich.

« What Are We Looking For? » is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, integrates economic cycles, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the « New Leipzig School », albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

« It Is And It Isn’t » – Acrylic on Canvas – 172 cm x 137 cm – 2019

Biography:

Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew « The Weird » (Nychos, Low Bros, DXTR, Vidam…) under the moniker « Look the Weird ».

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. « What are we looking for? » is his first solo exhibition with Urban Spree Galerie.

Lars Wunderlich

« What Are We Looking For? »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com



Night Shift ft. Zarkoff

𝔉𝔬𝔯𝔢𝔫𝔰𝔦𝔠𝔰 presents: Night Shift

The sun comes down and with it the day shift comes to an end. It is time for the night shift to take over.

Creatures of the night, replicants, angelic faces and spectators hungry for strangeness give themselves to the carefreeness of the 80s in a club turned for a night into a house of the underground.

On the program: Zarkoff LIVE, Drag Shows, New Wave, Synthpop, Dark Wave, Goth, Minimal Wave, EBM, Post-Punk, Italo-disco and Retro Wave.

Night Shift is a LGBT+, hetero-inclusive bimestrial event.
We pride ourselves on being a safe space for LGBTQIA+ individuals and their allies.
All of our DJs and our drag performers are individuals who identify as being part of a counter-culture and our drag shows also fall under the umbrella of our music genres for a complete immersive experience.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

► LINE-UP ◀︎

LIVE:

Zarkoff [Croatia]

Zarkoff is an electro-techno-industrial producer/dj known for solo work and many collabs, such as Sumerian Fleet, FFFC, Kali Jugend, Lab Personnel, releases with Popsimonova, Nao Katafuchi etc.

Apart from his own productions, he runs a studio called Sensorium and works as a mastering engineer for established underground labels such as Creme Organization, R Zone, Jericho One, Raw Paper Records, Raw Culture, Repartiseraren etc.

His post punk album Sweet Obsolete (Unknown Pleasures Records) reached #1 on European Alternative Charts in 2015 and after that a few electro/acid vinyl EPs followed (Pioneers EP on Endless Illusion, Iron flute EP on Return To Disorder and Toxicology EP on Gooiland Elektro) Sumerian Fleet released 2 albums on Dark Entries, « Just Pressure » and « Pendulum », and his collab project Lab Personnel released an LP called Recreation on Medical Records.

His latest releases (as Zarkoff and member of Lab Personnel) have mostly been results of jams in an abandoned chemical lab that Zarkoff and his collaborators were using for several years. This period is now finished and Zarkoff is embarking on European tour this winter.

https://soundcloud.com/zarkoffhttps://hivmusic1.bandcamp.com/album/sweet-obsolete-electro-pop-upr020

Listen to « Video Age »: https://www.youtube.com/watch?v=Lpy4GZpixr8

DJ SETS:

Al Niklaus (𝔉𝔬𝔯𝔢𝔫𝔰𝔦𝔠𝔰) [Berlin] (New Beat, Acid 90’s, EBM, Retro Wave, Dark Synth)
https://soundcloud.com/al-niklaus
DJ INEPT Pernicious [Berlin] (Dark Wave, Minimal Wave, EBM, Industrial)

DRAG SHOWS:

Ghōst [Berlin]
https://www.instagram.com/ghostelektra/
Lady Galore [Amsterdam]
www.instagram.com/the_lady_galore/
Harle Quing
https://www.instagram.com/theharlequing/

PROJECTIONS:

Reality Pill
https://www.instagram.com/realitypill/

PARTNERS:

HART Magazine
Tech Noire

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

SATURDAY, DECEMBER 15TH, 2018
00H00 – 06H00+

URBAN SPREE (RAW-Area)
Revaler Str. 99 / Warschauer Str.
10245 Berlin
www.urbanspree.com
www.facebook.com/urbanspree

☛ Sign up to our newsletter to be kept informed of our news, latest events and future projects: http://eepurl.com/dIKIrT



Milk Me Presents: Horse Lords

MILK ME and Babooshka present Horse Lords

Grafting the relentless repetitions of modern minimalism onto the propulsive engine of rock and roll,Horse Lords create an ecstatic forward thrust driven by dueling polyrhythms that curve endlessly past one another. The Baltimore quartet, consisting of saxophonist/percussionist Andrew Bernstein, bassist/synthesist Max Eilbacher, guitarist Owen Gardner, and drummer Sam Haberman, employs arcane tuning systems to achieve their otherworldly harmonies, made possible by guitars refretted by Gardner. The resulting sound is at once stark and lush, tightly interwoven and threatening to fly apart, making their live performances spellbinding and utterly thrilling affairs.

Their 2016 full length Interventions on Northern Spy Records showcases this visceral approach to live performance, as well their interest in crafting studio compositions that pull apart and reassemble the constituent parts of their music into more abstract forms. Interventions was featured on several 2016 year end « best-of » lists, including Red Bull Music Academy and The Wire magazine.

« …hypnotic, fluid and vocal-free: rhythms and tones achieving trancelike effect through repetition and discipline. » Noel Gardner in The Quietus

« On “Interventions,” fast, repeated riffs become collaborative acts, over drones and strong skeletal grooves that stress the upbeat, and the whole thing is held together by concentration, timing and willpower. » Ben Ratliff in the New York Times

« This is a band that believes that experimental music has the potential to be more than merely aesthetic, and every one of their choices—like taking apart their instruments and rebuilding them according to an alternate musical logic—speaks to a desire to upend the status quo. » – Phillip Sherbourne in Pitchfork

Support TBA

+++

FB Event